Nice rice

I grew up eating rice and all things rice-based. It’s the staple of where I live and it isn’t uncommon for people to eat it three times a day. Except that it made me sick—not in the literal sense, but because I’ve eaten so much of rice already, I can no longer stand the thought of mashing up the soft grains between my fingers, mixing it up in spicy gravy before wholfing it down like a starved dog.

After doing that for more than fifteen years, I got bored. And just when I thought nothing rice-based could surprise me, I had sushi.

Sushi madness

I was out for lunch with friends when I saw sushi for the first time without through a camera lens. In a large platter were tiny, delicate, rice rolls, wrapped in a black parchment paper-like, yet edible, material. Some of the rolls had the wrapper, some didn’t. Some had mild pink salmon peeking out, some had cucumber slices while some others had the tail of a fried shrimp jutting out of the top. My eyes popped at the shrimp tail and I reached out for one (okay, five). The waiters had left tongs nearby so we could serve ourselves and save ourselves an embarrassing encounter with chopsticks.

However, I had to take a pair of chopsticks back to the table with me because it would be silly to eat sushi with my hands or—the horror—a spoon. Along with the sushi rolls, the waiters also put a tiny bowl of soy sauce and a plate with green paste and picked ginger, all the while staring in apprehension at this weird woman who preferred to eat sushi without knowing how.

Back at the table, I eyed my sushi rolls wondering if they would fill me up. Five seemed too few. I spilt my chopsticks and one of my friends adept with the tool taught me how to hold it. I had thought rolling up rice between my fingers was funny enough, but chopsticks took it to a whole new level. When I managed to grip the chopsticks and grab a roll, I felt like a champion. The Japanese have a divine approach to food—healthy, colourful, and so damn hard to get hold of.

I picked up a non-wrapped, cucumber-peeping roll, and before it could fall off my chopsticks, I put it in my mouth. A burst of flavour met my unsuspecting tongue. Soy sauce and wasabi were a weird combination. I love spice so the wasabi wasn’t too spicy—but its flavour surprised me nonetheless. It was hard to imagine something so green, so pleasing to the eye, could be ruthless to some palates. And then there was the ginger, pickled ginger that stung my tastebuds making me reach out for more even without me realising it. Every bite I took unravelled the packed rice and the cucumber within, while the flavours of the soy sauce, wasabi, and the pickled ginger seeped through exploding in a nonsensical, yet wonderful, sensation in my mouth. I kept chewing, trying to get through to all the different tastes that the tiny sushi roll had dropped in my mouth.

I next went for a shrimp roll. It was the same thing all over again, but with the crunch of a shattering shrimp tail and chewiness of salty sea weed.

Despite its tininess, I couldn’t eat more than three because the rolls had a handsome portion of rice with a lot packed within.

At the end of the day, though, I had developed a new kind of love for rice—rice to me is no longer just boiled grains soaked in steaming, tangy, gravy as I had eaten all my life, but rice is also a delicacy and a supple bundle of surprise that’s small on the outside and big on the inside.

Get a life!

I had just begun to read One Hundred Years of Solitude. I had left the book on my table while I rummaged in my bag for something when my colleague (a senior) cast me a look as if I were crazy to read such big a book. (It wasn’t that big, still—)

“Why are you reading stuff like this?” He raised his eyebrows in a scorn, then shook his head continuing, “Read about marketing, about selling, business, and technology. Those are the stuff that’s going to help you in future. These are just useless.” He cast a dirty look at the book I had wrapped in a polyethylene cover to protect its beautiful art.

He wasn’t the only one. About three years later, I had a similar conversation with another senior colleague. This time, it was poetry. I had mentioned reading some new poems when he suggested I read about the latest mobile technology instead. Sure, I laughed, I’ll subscribe to all tech magazines and read them, but poetry is for my personal time. And he smiled in a crude way shrugging, “Well, read this during your personal time.”

To which I replied, “I need a life.”

He just laughed it off, but I felt proud of myself. The first time, I was new at the job and worried about being rude to an experienced person at work. The second time, I was more concerned about myself. I had grown up.

But the fact remains: a lot of my colleagues, friends—even my parents—feel that work has become such a large part of our lives that we have no time for anything else. My married colleagues complain how they can’t bond with their in-laws. Some others worry each day that they leave home for work even before their children wake up. Even the typical 9–5 corporate world now has employees clocking in from 8 to 8 or 8 to 12. And it’s not just for a day, it’s for days together.

In a flurry of product launches and a rush of marketing campaigns, we often forget that home is a place away from office. We spend so much time at work, and all of the little time at home thinking about work. The balance goes to the noose.

It’s sad but it’s reality. We’ve lost so much of our life to work that we seldom realise what we’ve lost. We spend all our days toiling to ensure someone else’s luxury while we skip lunches for meetings, put off a family reunion for an official trip, and stay a little longer than midnight to finish testing the code. And the purpose of it all—an extra shift, a higher bonus.

However, at the end of the day, lying in bed, thinking about the tasks for the following day, we fail to feel the warmth of the blankets, hear the soft—yet evident—creak of the fan or the wind tapping against the windows, and notice the curtains swaying in the breeze. Somehow, while we were busy living to work, we lost the will to live at all.

My colleagues are (un)living examples, and I’m walking on the tightrope. It’s time for a change.

Time to manage

She walked to work feeling excited. She had woken up ten minutes earlier than usual and, to her surprise, didn’t feel tired at all. It’s going to be a good Thursday, she thought walking through the glass doors at her workplace. And if turns out lousy, the weekend’s not far away, her mind assured her.

Taking her place, she looked at the empty seats around her. It was 9 in the morning. She had about an hour before people trudged in.

Taking a deep breath, she fired Safari up. It opened all the tabs she had been working on before shutting down the previous evening. And the first one that looked back at her: Facebook. Instagram was just nearby.

She glanced at her phone. It was 9.05 am. Perfect. She had plenty of time to get some work done early—before the distractions walked in. Perhaps she could leave office early, too, and read that book she had been putting off for more than a while now.

Excited, she was about to turn back to her laptop when she noticed that the wallpaper on her phone seemed boring. Of course, she hadn’t changed it in over a two months. Well, how long could it take?

She flipped through the photos on her phone, and finding nothing worthy of a wallpaper, turned back to her laptop and opened a new tab: mobile wallpapers.

It took a while but she managed to find a perfect fit. Having set the new wallpaper, she was ready to go back to her work email. Facebook was still open, and so was Instagram. She flipped through her feed in record speed, just to catch the latest news from friends. Masha was getting married, Dave Jones had a baby boy (“Name him Davey!”), Trisha was pregnant again, and Joanna had got a new job in Paris. Wow, she wondered scrolling down. It was nice to see the gang succeed.

She kept scrolling until a video made her stop. “How to make the world’s best chocolate chip cookies—as told by Monica.” She smiled to herself. That’s a clever headline, her marketing brain whispered. Good tactic, recalling the beloved Friends character. The title worked on her too; she watched the ten-minute video even though she doesn’t bake. Sighing and craving chocolate, she scrolled further before pausing again. A social-worker friend had posted a video of a non-profit organisation that trained speech-impaired children. Feeling like she owed it to the kids, she played the video. It was short—just a minute and a half. At the end of it, she wanted to bake chocolate chip cookies and share with those kids.

She looked at the phone again. The wallpaper was fine, but would become dull in a month. Perhaps she should try themed wallpapers each month, something fun, she thought—it was 9.45 am.

Now she panicked. The stragglers straggled in one by one. “Hey Bob,” she waved as he passed. “Morning,” she nodded at Priya. And seeing the boss right behind Priya, she looked down in a hurry. She didn’t want him to see her cheery face, for he’d call attention to it at the end-of-quarter meeting later in the day.

She sighed (9.49 am). It was almost time to prepare herself for the tasks of the day. But she didn’t want to. Looking back at the browser, she saw her Instagram full of notifications. Then she remembered she had posted a photo the previous night, and hadn’t seen the responses yet. It was 9.51 am but she still had time. She clicked on the heart.

“Hey. What’s up?”

Her teammate stood behind her cradling a cup in his hand. It was 10.33 am—his coffee time. “Hey,” she replied, her eyes drooping. “I was just reading this article—about successful time management.”

Of Murder in Non-Fiction

There are two types of readers of murder: one who read fiction and non-fiction and know what they’re reading. The other is those who read non-fiction and complain it’s not as good as fiction.

I don’t care about the latter, but I don’t see how they don’t see the difference between the two genres. For instance, In Cold Blood by Truman Capote is non-fiction, and it doesn’t read like fiction. For the adrenaline junkie, it’s no page-turner. For readers who expect an Agatha-Christie like unravelling, non-fiction murders are a bore.

In Cold Blood by Truman Capote

Just a few weeks ago, a close friend recommended In Cold Blood to me. She enjoyed it said I too would. Well, since she knows me and my preferences, I decided to heed her suggestion. However, when I asked around to borrow the book, one voracious reader told me not to waste my time over In Cold Blood. It’s a slow and dull read, she offered.

I was surprised to hear such conflicting views from two well-read people. I read the book nevertheless. That’s when I realised the true difference between murder-fiction and murder-non-fiction.

For one, the intended audience in non-fiction is not the same as in fiction. While almost any reader can appreciate the thrill of chasing an evasive fictitious serial killer, not everyone can understand the subtleties of outlining an actual murderer’s mind. Truman Capote, in the book, isn’t addressing the impatient ones who want to finish the book and lable it “Read” on Goodreads. He, instead, addresses those curious to know the way the mind works. The author speaks of Dick and Perry’s childhood, of Perry’s troubled family and abusive upbringing, of his dreaming of a giant bird, and of his attitude towards his partner in crime. None of these details matter in fiction because no one would care. In non-fiction, however, knowing Perry’s reluctance to swimming because he’s embarrassed by the way his legs appear, makes him relatable—it makes him human. And that’s the kind of depth that no fiction goes into. For someone looking for short bursts of exciting crime, a non-fiction like In Cold Blood is just plain boring.

This is my first non-fiction murder novel. And so it struck me how different the author’s tone is than in fiction. Capote doesn’t try to lure the reader with mysterious adjectives and goosebumps-inducing alleyways. Instead, he sticks to the facts—the cold facts that chill the bone one page at a time. For instance, there’s no element of surprise in In Cold Blood. I had gone less than fifty pages into the book, and I knew the killers, their appearance, and their uncanny ability to smile as they killed—so to speak. That’s how non-fiction works; the author has little to nothing to fold in a heart-stopping moment into the plot. The whole world knew the victims, the killers, and the history of the investigation—even before Capote began writing the book. It’s no surprise that there’s no surprise in the story. Nevertheless, the book reads like a true work of art. The crime was slick, chilling, and brutal. And Capote does nothing to make it sound any less.

Come to think of it, when reading a non-fiction murder story like In Cold Blood, a reader shouldn’t expect anything. The purpose of non-fiction is in itself different from fiction. While fiction has a perfect beginning, a crescendo, a plot twist, and the climax, non-fiction serves a larger purpose: understanding. Non-fiction readers don’t look for the climax, because the book opens with it. Instead, they look to look into the lives of the murderers, the routines of the victims, what they ate the day they were killed, who Nancy helped bake a cake, which part she played in the school play, how much she loved riding the horse with her friend. The non-fiction reader looks for life in murder. They find reality in hostility, and they seek to read the killers’ intentions. Because non-fiction murder isn’t just revenge, it’s the result of an entire lifetime of bottled emotions—boiling down to a moment of unsteadiness. And that’s what a reader hopes to discover.

It’s not just the reader, though. Even the author of non-fiction murder has a purpose that varies from fiction. Writing about murders takes more than time and patience. It’s takes more than writing itself. Capote would’ve spent a lot of time researching the facts, but he also would’ve spent years trying to uncover the mystery of human psychology. I can imagine how it must be for a writer to flip through gruesome photos and statistics. The purpose, again, isn’t to write the most spine-tingling novel. It’s more than that—it’s to bring to life, and show the world, the soul of a human who happened to take a wrong path.

I enjoyed every bit of In Cold Blood. If you haven’t read it already, you should. Be warned, though: if you’re the fiction lover who is reluctant to spend time (even as long as a month) on a single book, then don’t bother. But this is one wonderful book. Capote’s sharp writing would drive through your chest, and you’ll yearn to know more about the men—who could well be your neighbours—who also murdered a family in cold blood.

A Letter to Mom

Mom,

Don’t be alarmed if this letter isn’t as intact as it should be. They warned me that it would go through a standard screening process.

I hope you’re feeling better. Take your medication every day. Set an alarm if you have to, like I used to do for you. It may be a ringing pain in your ears but it’s worth it.

Dad wrote to me saying he’d come see me later this week, so don’t worry about visiting. I know you’re busy with work.

How’s Lisa? She hasn’t replied to my notes, so would you please tell her how sorry I am? I never meant to do what I did. I think about Taylor all the time and every time, guilt gropes at the inside of my heartstrings, and I can’t get rid of it. I’m sorry, mom, that you had to bear such an evil daughter.

I’m thankful that you don’t detest me altogether. That you read my letters at least. I wish I could take it all back — that night on the street. I wish I hadn’t taken Taylor for a midnight jog. He hated jogging, and I knew it.

I tried, mom. I tried understanding. I tried to accept that my little brother was better than I. You loved him more than you loved me, and that’s only natural. I know I should’ve understood. You were only watching out for him, and I had no reason to feel threatened.

But, mom, I did.

I loved him as a brother. I hated him because he came after me. You and dad cared about me before he was born. I remember the tap classes you took me to. I remember the cold coffee we’d get afterwards. Is that place still open?

But then Taylor came, and you stopped my tap classes. Dad told me I should focus on grades. But mom, I loved going to tap classes with you. I didn’t like math as much.

Yes, mom, I know grades matter, and that Taylor needed your attention more than I. And I don’t blame you. My brain knew it, but my heart remained ignorant. I just couldn’t understand why the attention went away from me.

I tried, mom.

I tried to clear my head of the madness that raked it. I loved Taylor. He was my brother, and I enjoyed helping you bathe him and dry him, and later, I liked helping him with his homework. Honest, I did.

But I hated that he came after me. And that night when the cars whizzed by us, I wasn’t thinking about anything. We stood there, laughing at a joke he had said — the one where the Ellipses sisters leave conversations hanging, remember that, mom? — and I punched him on the shoulder for making me laugh so hard.

I’m sorry, mom. I only meant to punch him, not to shove him onto the street. I didn’t notice the cars.

I’m sorry, mom. I know you can’t forgive me. I won’t forgive myself. But please, mom, don’t hate me too much.

Bess,
State Juvenile Prison.