“Great Barrier Reef”
She mouths at the inscription.
Curves brows, “Dad…what’s that?”
Can a short story be haiku?
Remember?
The wait
I don’t believe in co-incidences. But I also don’t run away from them. Unable to write much today, I jumped from one tab to another on my browser trying to locate an idea that’d spark and open up my well of thoughts. It almost never works—I often read random things for hours before giving up on finding inspiration. I end up rambling or publishing a quick haiku.
Today, however, as I read through last week’s newsletter from the ACT writers centre (while this week’s newsletter lay open on the next tab), I stopped at this quote.
I’ve heard it, or something like it, a hundred times before. It’s the standard advice any writer offers a wannabe. I’ve said it plenty of times too, to myself and to others.
Waiting for a lightening bolt of inspiration to hit you is like taking the bus south and hoping it goes north. I know because I’ve done them both. Waiting is an excuse not to write. It’s a way to get around the larger fear that encapsulates your being, the uncertain possibility of an outcome you’re uncomfortable or unfamiliar with. And I think that’s how writer’s block comes about. It’s a reason to avoid seating yourself on that chair and getting work done. That’s what happened to me.
This afternoon, I arrived at my local co-op ready to write. It’s a great co-working space—they sell bulk foods, snacks, and have free artisan (sourdough!) bread. The best part? It’s almost empty after lunch.
And so I propped my laptop on an empty desk, wandered around the shop, bought some onion and sesame seeds, got coffee, nibbled on some bread, read through notes from a panel discussion I attended two days ago, and got distracted at least ten times before the newsletter came as a slap in the face.
The only reason I kept avoiding the blank screen is because I wasn’t sure what to write. And yet, the moment I started, I knew what I’d write. That’s the biggest hurdle most people never cross—they linger at the beginning for too long, and give up just before they discover that a world’s waiting to unravel underneath their fingers.
If you’re interested: Read the full newsletter.
A note on bad reviews
I recently attended a panel discussion about going and receiving criticism. The panel consisted of writers, reviewers, and art critics. It was an hour-long showering of insightful opinions and ideas that I had to note down and mull over. As I mulled over, an incredible urge to write them down gnawed my brain.
One of the points that a writer of over 30 books, brought up is that in this age of social media, writing as an art has taken a massive turn. People can now share their opinions with the greater world even as they watch a movie, read a book, or wander through an art exhibition.
And that got me thinking.
From being a slow, iterative process like a stewing stump of steak, creating art has now become quicker, like pre-packaged chicken caesar salad, to offer instant gratification for souls so eager to tweet out their amusing reactions to a book as early as five pages in.
Since writers and other artists are aware of the instantaneous effects that the audience’s opinions will have on their work, they tend to take safer strides in their writing. Afraid of being criticised by people who don’t see what they see, artists adjust their art to satisfy the audience that happens to see their work. As a result, art becomes tailored for a specific audience, instead of reflecting the artist’s being.
Bad reviews and harsh criticism isn’t always about the artwork. In most cases, especially in today’s social media-powered world, adverse reactions come from people who didn’t necessarily enjoy the work. This also means that the art hasn’t reached those who would enjoy and appreciate it. When put that way, any review becomes mildly questionable. Sure, this reader hated the book. But there may well be other readers who’d love the book but haven’t read or reviewed it yet.
That’s a good reason not to rely too much on reviews.
Of making art
“Do art and do it for the rest of your lives. Draw a funny or nice picture of Ms. Lockwood, and give it to her. Dance home after school, and sing in the shower and on and on. Make a face in your mashed potatoes. Pretend you’re Count Dracula.”
Kurt Vonnegut
I stumbled on this quote when I was least expecting to. But it made me stop and lean back in my cold, stone chair. It made me look out into the void, thinking, mind wandering, wondering about the undeniable necessity of art.
Remember when art was hobby? Singing, dancing, writing, painting, crafting—all of those were categorised as activities to do during your leisure. Stuff you do to de-stress, to clear the mind after a long day of work. That’s the mentality I grew up around. My family and teachers looked at art and creativity as an add-on to normal life—not life itself.
Kurt challenges that ideology. Creative thinking shouldn’t be allocated or limited to a specific time. Instead of looking at art as an activity for an appropriate time and place, we should think of it as part of our everyday lives.
Art is everywhere. From a puddle in the street and the graffiti on the toilet walls to an activist’s speech and signs on a protest. Everyone has it within them. And we should consciously choose to bring it forth and declare it as part of our personality—our identity.
Except, we don’t.
Think about it: what would people say if you skip home from school one evening? When and where I grew up, people would label me as crazy, undisciplined, and out of control. They’d blame my parents. A child dancing on the street is unruly.
In reality, though, it’s self-expression. Children will be children. And they shouldn’t be penalised for it. Our society has become so adept in suppressing the artistic and creative outlets of our younger generation that we’ve ended up with a group of people who’re too busy to have time for art in their lives. And thus, art is now luxury.
As Australia burns…
“We think most of the animals were incinerated – it’s like a cremation, […] They have been burnt to ashes in the trees.”
Sue Ashton, President, Koala Conservation Australia.
Source
That line jumped out at me as I scrolled through today’s news. For a while now, most of New South Wales, Australia, has been burning. As of early morning today, a million hectares of land has burnt down, a number greater than the previous three years of bushfires combined. And it’s only spring. Bushfire season is only beginning in this part of the world, and even before its proper entrance, greedy fires are lapping their way into people’s homes and lives.
Yet, somehow as I read multiple articles mentioning three deaths and over a 150 destroyed homes so far, it didn’t hit me as hard as the incinerated koala bears. Though I haven’t lived through many global disasters, I have seen and heard of enough violence and terrorism to develop a mild numbness to human deaths. To me, it always felt like one group of humankind is always paying for the mindless blunders of another.
This time, however, it wasn’t just the humans. This time, for the first time in a long time, vulnerable nature is suffering from its own wrath. That article put it well too. The precise choice of words got me unawares, gripping my throat, crushing, pulling the air out of it in such a slow motion that I wished it would hurry up and get it over with. The casualness of that word threw me off balance. It made me breathe in so sharply that my eyes teared up from the pressure and the pain that shot all the way through my body.
Words are powerful. Saying that over 300 harmless, helpless, animals were crisped while they clung to their homes, paints a picture so vivid that readers would relive the moment again and again. It was strong, writing. As a writer of things myself, I admire the gallantry of whoever wrote that speech.
As a reader, listener, it triggered me. It’s made me abhor the world we live in. Although my mind accepts the direness that’s become the new normal in the state, my heart still clenches to think that at this rate, koala bears could be extinct in 30 years.
It’s scary to imagine a species that I’ve admired, photographed, and smiled at, would die out right in front of my eyes, and I wouldn’t be able to do anything about it.
The state government has declared emergency for the first time since 2013. According to meteorological forecasts, tomorrow (Tuesday) will cause more damage than we’ve seen so far. Greater Sydney, NSW, and parts of Queensland are expecting extreme bushfires—in addition to the 60 that’re still uncontained. Over 500 schools will be closed. Millions are evacuating to safer areas. High temperatures, low humidity, ghastly winds, and catastrophe await the state as it spends another sleepless night.
And someone said the climate’s fine.
The Chaos Within 