Writer’s Trauma

About three years ago, I was thrilled when I finished writing an entire novel. I had great expectations for it. It didn’t see the darkness of the press or sit in bookstores where fans cradled it and smelled the fresh print, as I had hoped. But it’s on Inkitt.com, and that’s better than it being locked inside my cupboard. A few days ago, I got an email from Inkitt about a new contest called the Teaser Awards. It’s pretty straightforward: I have to write a 200-character teaser for my novel.

Fun, I thought. It would be a great way to persuade people to read my story. I needed more readers because most of my cheerleaders (immediate friends and family) didn’t even get past the first chapter. It’s not because the story was crappy, (I checked), but other pressing stuff came up. And with this teaser assignment, I thought I’d use my creativity to re-ask my friends and family to give my novel a second chance.

I sat down to write.

Three years was a long time ago. Of course, I know every scene almost by heart, but when I had to drill it down to a 200-character teaser, I got stuck. Not that I had so much to say and didn’t know what to pick, but because I had nothing at all to say. All of a sudden, the story I spent hours pondering on and nurturing, didn’t seem interesting enough. I tried digging my memory for something worth talking about, and it was as if my story was worth nothing. I didn’t have adrenaline pumping action, no sword fights, no heated arguments, not even a trace of romance. For fifty chapters, I had rambled on an on about a normal girl going about her normal life. I didn’t know what to say in my teaser.

I panicked. If I couldn’t find excitement in the story, myself, how would anyone else find it? I was so shattered I couldn’t work on my teaser anymore. I gave it a break, a day. Then it hit me: perhaps that’s why my family couldn’t read the story. Because there was nothing interesting about the everyday life of a teenager.

It was a depressing revelation, because when I wrote the story, I thought I’d made it as relatable as possible. A handful of readers told me they got bored after the first few chapters, but again, folks who did manage to read the whole story told me they loved it. (Well, not “I loved it” verbatim, but most of them said things like, “great work.”) And now every time someone tells me I’ve done a decent job, I can’t help my widening lips, my glowing face, and my joyous swelling, heart.

That’s how it is: You’d never know how others would react to your stories. There will always be mixed feelings and varied reviews. Some would like your story, some would hurl at it. Some give you constructive feedback, some would just throw unhelpful opinions. Variety is the essence of life. And it’s also the curse of writing.

I did rework my teaser to this:

What if you don’t know your calling? You’d try to figure it out, making decisions you’d regret – or love. You’d break your heart a few times, too. Until one day, you’ll succeed and all will be well.

If you think it works, you can read the story here. I would appreciate your feedback, whether good and bad.

Looking Forward

After how this year turned out, it looks like 2017 couldn’t get worse. I wouldn’t put anything past chance, though. We still have fifteen days for the year to wrap up and anything could happen.

But no matter how the rest of the month goes, we’ll have a new beginning in a few days. And to celebrate, I want to rewind a year to a photo I took on the 1st of January 2016.

When I took the photo, I had no idea how the year would unfold. And yet, I enjoyed a moment of solace with a sunrise and a new horizon. Perhaps 2017 would turn out better.

new-horizon

Respecting the Maker

Craft is a wonderful thing. The crinkled eyebrows, the watchful eyes, and the delicate fingers all make a craft what it is: a magnificent and complex piece of art. It demands the maker’s energy and time and unlike any other physical activity. It’s one of those things that drain you just even if you’re just sitting in one place with your head bent low.

To an observer, the craftsman is a scientist; a microbiologist. One who’s got eyes for nothing and no one around them. And that’s the beauty of a handmade object. It’s a part of a human’s life that they give away to someone else.

I saw a craftsman in Pondicherry a while ago. He was a shoe and footwear maker. He, along with the owner of the shop, makes and delivers custom footwear for customers about an hour or two after they place an order. But they also have a gallery of ready-made designs to can choose from.

handmade-footwear

While the owner was busy showing us around his little shop, the craftsman huddled with his tools near the pillar outside the shop. His eyes moved in tandem with his hands that stitched together leather and leather.

While his skin exploded with sweat, inside, the quaint shop exploded with colour. Yellow, red, and green straps crisscrossed with brown, black, and grey soles. I saw straight straps on one shelf and curled straps on the other, plain ones lying about and fancy ones folded up neat. The costs varied, too, from a few hundreds to a few more hundreds.

handmade-footwear-2

My friend raised eyebrows at the prices. It was a sad sight. Because there never is a fair price for the labour of human hands.

It’s human to first look at the product and then flip over the tag to check the price. Whether it’s a shirt or a shoe, we consider the price and weigh its worth.

It’s an instinct, yes. Still, when it comes to handmade crafts, what we think is high is never too high. Though we drool at a craftsman work, every time we roll our eyes at the price, we undermine the maker’s efforts. We need to realise: In this age of our lazy bones and sitting on our asses, it’s taxing to work through hundreds of needles and stitches every day.

craftsman

That’s why we should learn to respect the ones who do, because, in a few years, no one will have the patience to dedicate the scrutiny involved in making handmade pieces.