The Chronicles of Reading

chronicles of readingI’ve tried it many times, and I’ve failed every time. I can’t read ebooks. Guess I just have to accept that.

I’ve tried so hard to get excited about the modern revolution and the “all new” kindle that Amazon releases every now and then. But when I try to read a book on my device, I can’t feel anything other than the pressure of finishing a chore.

It’s like dandruff at the back of my head, hiding in plain sight and disrupting my sleep until I’m rid of it. I spend almost 12 hours a day at work going through research papers, Facebook statuses, tech magazines, how-to guides, blogs, forum topics, Twitter updates, technical documents, and even tips for the solo traveler. And at the end of such a day, if I have to stare at more fiction on a screen, I just can’t.

Pity plenty of authors nowadays prefer self-publishing and ebooks. As someone who wants to call herself a writer, it’s ironic that I can’t stand the non-existent smell of a shatter-proof scratch guard, and the heat of the declining battery.

I still want to feel the frayed edges of a book and curse the one who handled it before me. I like my mind nagging me every time I put a book inside my bag; what if the edges get damaged? I still strive to finish reading a book with the spine erect as if it had never been opened.

I enjoy the mild weight of a book nestled between my favourite pyjamas in my backpack while I travel home. I want to feel the thrill of flipping through a page, the dread that comes with pages attached to one another, and the quickening of my pulse when I reach the end of a dangling chapter.

And I still want to be able to shut a book with a snap, look into the wall opposite me and go, “Wow!”

I’m just an old-fashioned reader who wants to (one day) become a published author — the good ol’ fashioned way. I know the word’s moving towards electronic reading. It may not be the best of times for my kind of people, but — though Dickens may protest — it’s not the worst of times either.

Understanding Zen

I just finished reading, Zen and the Art of Motorcycle Maintenance. It’s an achievement, believe me. It took me almost 9 months to finish that book.

zen

And it wasn’t because I read many other books at the same time. No, while I read this book, I read no other. And it still took me 9 months. I should say, though, I was also studying for my exams and, for about three to four months, I didn’t even touch Zen.

Still, it’s a long time to read a five hundred+ page book. An international best seller, at that.

I read slow, but even I’m not that slow. After all, Harry Potter, the Inheritance series, and Chronicles of Narnia are all about the same size and I’ve sat through all night glued to those books. Why then did this book take so long?

It’s the writing for the most part. It was complex, it was all over the place, with two different narratives that just kept throwing me off the original message.

But there were so many good parts in the book that just jumped out at me. The best thing that came out of spending 9 months on one book is that it seemed like a lifetime. And the book is about a man’s discoveries over a lifetime. In hindsight, it feels like I’ve learnt so many different things, at different stages of my own life.

The book transcends from Pirsig’s life, into my own; my learnings, and my own understanding of how the world works.

Disclaimer, though: I don’t mean to sound all enlightened and zen-like. There are so many parts of the book that I read without taking in a thing.

But these blank parts of the book that I read three months ago, make sense to me now. What I though I understood while reading a paragraph is so different from when I understand after finishing the book.

And I’m counting on the same thing happening with other complex topics in the book.

And I’m sure when I read it the second time, I’ll see more things I didn’t see this time. Or, maybe, when I’m in the shower worrying about my hair fall, I’ll realise I should let the future be.

future

Why I Didn’t Read the Millennium Series

millenium

I started reading The Girl with the Dragon Tattoo, but I couldn’t even get past half of the book.

But the funny thing is that I hadn’t accepted it, until now. I tried giving it another try, again, and again. And again, and again I failed.

I just couldn’t get through it.

Perhaps it’s just me, I thought. But now, I’ve learnt to forgive myself; it’s the book. I just don’t like books like The Girl with the Dragon Tattoo.

I only tried it because of two reasons: One, my book-freak cousin recommended it. Every time she spoke about the book, her eyes would sparkle with dream-like awe. She had warned be about the dull start, but she also told me how awesome it would get after that.

I never got to the interesting part. I couldn’t tolerate it that long.

Second reason: The title. I do this a lot. I judge a book by the cover, but more so by the title. And ever so often, I’ve been wrong. But I still stick to my instincts.

It was an attractive title. A story about a girl with a dragon tattoo. I like dragons, tattoos, and girls who get tattoos. I drooled at the title.

For all the drooling I did, the book disappointed me. With my cousin’s word, I had expected too much of the book. Perhaps it was my fault to set unrealistic expectations. Still, the fact is, I don’t like topics that the book addresses.

Of course, I enjoyed Lisbeth Salander’s attitude and arrogance. Sure, I could relate to Blomkvist’s thirst for recognition, but I did not enjoy the plot moving all over the place.

I’m uncomfortable with simultaneous subplots and empty scenes. A lot of slow-moving incidents threw me off the main plot, and I couldn’t find my way back with the same enthusiasm as before.

And so, I stopped reading The Girl with the Dragon Tattoo. I wanted to like the book. Just like so many others. People kept saying how great the book was, tying it with the author’s sinister death.

I couldn’t see it, though. I couldn’t understand why it’s such a big deal. I tried, and I failed. And disappointed. I didn’t want to hate the book.

But shit happens.

To Read Is to Write

to read

I met a girl who’d subjected herself to an impressive schedule. A fiction and a non-fiction every week, no matter what.

It seemed a vigorous routine. Like school homework. Do it, finish it, and move on to the next. Reading is learning yes, but to me it seemed like she forced herself to read, read, and read even more.

Which is not a wrong thing. Except it felt so wrong that someone who’d read so much wouldn’t want as much to do with writing. She had an aversion to writing, and I couldn’t understand that.

When I first got bored with my school routine, I took to reading. I wasn’t as aggressive as I’d like to claim, but I read a lot.

And I realised I loved reading. From Enid Blyton, Nancy Drew, Hardy Boys, and Sherlock Holmes to Harry Potter, and Narnia, it was a crescendo of curiosity. And I believe that was a good thing.

I used to sit under a not-so-bright lamp, all night, peering at the fine print. It was fascination beyond anything I had felt. I loved the way reading made me feel. I longed for the lure of the sentences, the way a story moved from one word to another, how every letter and every comma only enriched the narrative, and how every single dash or stroke on paper added so much value.

I loved absorbing more than the story — the size of the print, the blackness of it, and the tiny strokes that sharpened every curve. I began to see the beauty in a full stop, the potential in ellipsis, the continuity in a comma, and the definite uncertainty in a question mark.

And that’s when I understood I want to write like that.

I had, for years, admired the way writers played with words, the way Shakespeare shattered grammar rules and yet made it sound so right. And I wanted to do the same, in such a way so as to make another young reader stare swell in love with words — just as I had.

And that’s why I never comprehend when someone says they love reading, but can’t write. What do they see while reading, I wonder?