Evolution of time

When I was five or six, my school teacher instilled in me the importance of the clock. Until then it was a round face on the wall, eye-less, needles circling past numbers one through twelve. Then, all of a sudden, time played into everyday conversation, and making my own clock at home became a school project.

I sat at the dining table on a Saturday morning, moping about the impending workload, all the while outlining a kitchen bowl on crisp board. My mother drew slices of arrows, one short fat and another longer slender with perfect, pointy ends. And even though I was familiar with the workings of a clock, I never figured why they had to have “hands” or why those hands had to be one over the other—the shorter one always on top. Regardless, with a pin I pierced, securing them in place, sticking a slice of eraser at the back, for I knew well from experience why that mattered.

That took all morning, with the hour after lunch reserved for penciling numbers on the circular board. It required so much precision, that there was no way a-six-year-old would do it without complaining. Or a cartoon break.

All that hoopla came to an end when on Monday my smiling teacher, approving my effort, gave me a red star.

It meant the world.

She then used the same cardboard clock to teach us how to read the time, making us write as we read—twelve o’clock, half past six, quarter to ten, quarter past nine, 20 minutes past eight—gah, I hated the secret math involved in calculating how many minutes had past or were to an hour. It seemed an unnecessary complication to think of the first half of the hour as “past” and the next half as “to”—as if thirty was the secret number around which the world revolved. As if conspiracy theories would unravel how three with its hunched shoulders and zero with its perfect nothingness made the entire world dance to their tune.

But it was important. A child who told the time well was a child who’d succeed in life. At least that’s what they told us so we’d work hard for the test.

It soon grew far more convoluted, however. As I observed the world around me, I noticed that no one said 23 minutes to ten. They said nine-forty instead. It was’t accurate, but it was close enough. And to my utter dismay, close enough was good enough. Three meagre minutes, give or take, wouldn’t kill us now, would it? Or better yet—some said nine forty-five. Rather be early than late.

I was going berserk. People didn’t stick to the rules. As if the rules were more like guidelines anyway. No one said the time as I was taught to, or as the clock showed it.

Then one day, our clock at home stopped running. “Ma, it’s half past ten,” I called out, rather proud of myself, after breakfast on a Saturday. She was making chicken and wanted to know how long it’d had been since the bird fell in the pot.

Hours afterwards, I glanced at the clock again—the chicken now eaten and almost digested—and it was still half past ten.

Oh, the horror.

Not only were people not telling the time right, time itself no longer showed it right.

Ah, stupidity of a six year old. Some even call it innocence.

And then everything changed. From being so important in life, to life, time became… convenient. My father set his clock five minutes faster than everyone else’s. My watch matched the school’s recess bells, my mother followed our good ol’ clock in the living room, and my brother in his room, had clocks from America, UK, Australia, and India.

From being dictated by time, we had for once conquered time, manipulating it into our disposal.

Greener on the other side

“So tell me, why should someone visit India?”

“Er—”

When my friend asked me what’s good about India, I couldn’t come up with anything.

The only reason anyone from the first world or a western country should visit India is to understand how much privilege they have over the people of developing countries.

It’s eye-opening. Even the smallest things like a proper footpath are non-existent. Things you’d take for granted, like safe neighbourhoods, pedestrian-accommodating road rules, recycling systems, garbage trucks are all still tucked away under a vague five-year economic plan that may never see the light.

But I know all that only because I’ve lived there. I’ve wallowed in that toxicity for so long that I’ve come to hate everything about it, no longer recognising, or even acknowledging, the good things.

I wanted to leave–for a better lifestyle, a better society, and better mental health.

And I’m fortunate that I could. But—ain’t the grass always greener on the other side.

India is a beautiful country—to visit. It plays host to 780 languages, the second largest number in the world. Thousands of cultures practice millions of traditions every day. Aside from their historical practices, each group that speaks a language has many religious beliefs as well. And so, every language, throughout the years, has served as primary communication among different religions and castes (family groups). Not only does this magnify the number of classifications amongst Indians, but it also depicts the diversity that thrives in India.

For me, that’s a whole lot of unnecessary complexities that lead to political and religious wars. And that disgusts me.

However, this diversity is also why India (most of it, anyway) has a rich heritage and open-mindedness in welcoming foreigners. People love to show off—whether it’s their customs, tales they grew up with, dances passed down over generations, food that’s comforted pained souls for ages, they enjoy sharing with anyone curious enough to ask and invested enough to respect.

That’s priceless when you’re a traveller.

Even though every corner of the country, every urine-smelling alleyway, every open garbage dump, and every infected street dog nauseates the average person, that’s also where you’ll find charming old ladies selling fresh flowers for your hair. You’ll see short-tempered fruit and vegetable stall holders bickering with each other who’s got better produce. You’ll run into juice vendors who’ll pour you a glass so full that you have to take a sip first before carrying it away. When you chat with them, you’ll learn their struggles to make ends meet, to pay their children’s school fees, to wake up every morning with only three hours of sleep. And yet, as you pass these everyday people on the street, you’ll realise that despite all the harsh realities of their lives, they still try to smile, share, and celebrate spreading joy around them.

India is a “developing” country—been that way for decades. And it’s hard to say when, if at all, it’ll offer its people the comfort and luxuries that’ve become a norm in other countries. Regardless, Indians try hard every day to make their lives a little better than it was the day before. And that’s worth a visit.

Oh, and the Himalayas probably makes it worthwhile too.

The feeling of home

It’s been just over two months since I moved to Canberra, and I’ve at last started to feel like a local.

It’s nice too—I can now walk to the shop nearby without having to look at a map ten times along the way. I like knowing how many signals I need to cross before reaching the mall, and which entrances are be open later in the night. I find myself analysing the various walkways to my destination and choosing the closest or the most scenic depending on my mood.

It’s empowering in a way that I don’t have to rely on someone or a some technology to help me navigate, to help me get through every day.

That’s the life of a local—knowing the right bus stops and the frequent routes, not because you’ve memorised them but because they’ve become part of your routine. I even shrug off the little things that a someone new in town might roll their eyes at; well, that’s Canberra for ya, mate.

But it also means that I no longer feel the city the same way as a traveller does. And I felt that way for quite a while. Everywhere, I saw something worthy of a jaw drop, a closer look, a lingering moment. Everything fascinated me, and I’d willingly walk an extra kilometre to read the street names and stare at the buildings.

I don’t do that as much nowadays. Sure, I still walk four kilometres everyday around the lake just because I want to experience the many wonderful trees and birds and noises—they’re so enchantingly different every time.

However, I also see the other side. And resonate with it.

I see the things, the little annoyances, jitters, that a common person sees. I understand more about why some people don’t appreciate the new bus routes. I loved them when I arrived—extra buses, free services for a month, what’s not to love, I wondered.

Now I know how it’s affected some people’s lives. How a small change in their schedule has toppled regular commuters who find it difficult to adjust to the new system. I’d never have understood that a couple of months ago. Now, though, I can sympathise with them. And now when the old lady sitting at the bus stop tells me that the previous bus never showed up for some reason, I realise what it means to her. And the best of all, I’m now local enough to agree with her and tell her about the time I sat waiting and the bus never showed.

It’s the little things like that that make home feel homey. My lifestyle has melded into the ways of other Canberrans, so much so that I’m now a regular spectator at a local Morris dancing practice. The dancers identify me so that if we run into each other someplace else, we’d exchange a warm hello. I have events and things to do every week—people to meet, shanties to sing, writing clubs to be accountable to—things I look forward to. Things that make living in a society enjoyable and worthwhile.

That’s what it means to be local.

What rules?

It was in an English literature class, while studying Shakespeare, that I first heard of poetic licenses.

Poets breaking rules.

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Writing as their heart desired. Morphing labels, forging words, scouring attention.

It fascinated me. I grew up learning to obey authority, as most of us did. And I followed devotedly, setting additional rules for myself.

I hated putting a foot out of line. Always submitted homework on time.

Though I loved restrictions, I also found immense joy in testing those boundaries. That’s why haiku as a poetic form attracted me. It threw a challenge: tell a story with limited words. Couldn’t resist.

I’ve been writing haiku for a while. And I’ve always vehemently stuck to the traditional pattern. A haiku is a Japanese form of poetry containing three lines in the 5-7-5 syllable pattern. That’s how I’ve always written it; that’s the only way I knew of writing haiku.

Until I heard of Haibun—a piece that combines haiku and prose, often in travel writing and autobiographies.

Haiga—a haiku accompanied by a work of art like a painting or photograph.

And haikai—linked verses relating to vulgar, witty, and earthy topics written by multiple poets.

And then I heard of “modern English haiku”.

Apparently, contemporary haiku in English uses a 3-5-3 syllable pattern (with exceptions, of course).

I also learnt that the longer version is more suitable for Japanese haiku because of the language’s natural rhythm.

Hmm.

So after being inspired by a bunch of modern haikus, I decided to give it a shot myself. Oh, well—it’s not breaking the rules if there’re no rules to begin with.

rebellion 
poetic license
now convention

Thoughts, friends?

So many people

For five years, I lived in Chennai (south India), a city of 4 million. Imagine—that’s more than 10 times the people in Canberra.

I’ve been living in Canberra for about three months now, and the one thing I’m certain is that this green, bushy, mountainous, and lake-laden (words I’d never place alongside in any other scenario) city is small.

Yet I hear locals musing how fast Canberra’s population seems to be growing. I see it too—much like the ducks and swans, cranes are also an inevitable element of my everyday lake walks—expectable like the sunset. Commercial names are popping up all over residential areas, and corporates are fighting over who gets to build the tallest building and how to overcome challenges of the already-manifested leaks and rat-infested homes.

But—

I hadn’t heard of Canberra until about two-and-a-half years ago. That’s when I started planning for migration. My friends and colleagues know it now because I’m here, but they still think of it as a quaint, rather mysterious town far away from anything remotely familiar.

And aside from the clever kids who won general knowledge quizzes in school, most of the world believes Sydney’s the capital, Melbourne the corporate centre, and Queensland the Miami Down Under. Like the Tassie tigger, the remainder of this vast pool of sand is lost to the world.

Canberra is to Australia what Australia is to the rest of the world.

At least from what I observe. People come here on school trips, visiting the national museums, the parliament, the war memorial. It’s where national policies are concocted. Apart from that, Canberra’s small and boring for most people. It’s got no late life, no night lights, and not much life at all. Winters are horrible, summer’s terrible, and the average day is as bland as saltless porridge. The average person is an adulting public service worker—pointed black shoes, black trousers or skirt, shirt tucked in, and a jacked pulled over. It’s like looking at a well-directed tele series depicting the non-existent social lives of political members. They go to work, attend official meetings and gatherings, and return home to a cozy white villa, with clean-cut apple rings in the fridge, A-grade children, and a stony watchman guarding the house 24/7.

So contradictory, if you think about it. How is such a self-contained community attracting so much construction—who’s coming to Canberra? And why?

I may have found a clue.

I dread pitching the “is this vegan?” question at any place with food, because of the weird looks that accompany it. And so I’ve always avoided such situations. However, in the last month, I’ve tried to go out more—to food festivals, poetry readings, casual meetings in bars.

I wanted to meet people—the real Canberrans behind the bushy facade that most others see.

And I’m amazed every day.

So far, I’ve come across scientists who write poetry, writers who dance, dancers who sing, chemists who write songs, psychologists who study bartending, bartenders who are professors, and most recently—a full-time employee who makes fudge over the weekends—just for the hell of it (and partners with wineries to launch their vintages).

Canberra is like the secret life of adulthood. Micro breweries, cafés, bakeries, and shops support and welcome quirky hobbyists. Hundreds of small, family-owned businesses thrive here.

It seems like more and more people come here for something beyond 9-to-5 weekdays and weekend hangovers. This is a place to explore a world of opportunities. And I’m excited to be part of it.