Telling Lies…

“My friends say fairies aren’t real, mama.”

— “Fairies do exist, dear. They spray their magic dust to make the flowers bloom.”

“These cookies are so tasty mama. Can I eat them all?”

— “Don’t, my boy. Leave some of the cookies for Santa. if you had been a good boy, Santa and his elves will leave you anything you asked for.”

“I’m scared, I don’t want to go to sleep.”

— “ Shh, it’s already past your bedtime. Wee Willie Winkie would be running through the town, checking if the kids are in their beds. Close your eyes now, and try to sleep.”

“Mama, what would I be when I grow up?”

— Disappointed.

Advice for the Modern Age

hamlet

Body shaming is a thing now. Having experienced it a few times myself, I can say it’s not new. For a long time now, the world has been mocking those who don’t have pear-shaped bodies.

One man has the best advice for those who shame other people. He lived well ahead of his time, hinging on the period he was born into, yet thriving even four hundred years later.

And how does he give us a his piece of mind? He shames his lover for a start.

“If hairs be wires, then black hairs grow on her head.”

That was, of course, in a time when blond curls ruled the day and any woman with straight hair was un-ladylike. Things have changed since, I know. Nowadays, people pay fortunes just to get their curly hair straightened. Nevertheless, body shaming hasn’t changed at all.

And then there’s this image of rosy cheeks and powder puff.

When I face my mirror, I know I have no rosy cheeks. There’s no chubbiness that every man’s supposed to like, there’s no colour, or flush, or blush. When I see myself in the mirror, I only see what shamers told me: A dull face, and cheeks too thin to be beautiful.

Shakespeare said it too:

“But no such roses see I in her cheeks.”

But here’s the question. Why would anyone expect a woman to look more like the sun and less like a woman? Why would anyone want a woman who resembles a child’s doll, when she’s stronger than that in real life?

Again, Shakespeare has the answer. And his answer — four centuries old though it is — is unmatched even in this age.

“And yet, by heaven, I think my love as rare

As any she belied with false compare.”

To be or not to be a body shamer. That’s not the question anymore. No matter how much we compare a person, woman or man, to an image of perfection, it would be just that — an image. Pretty face and fair skinned, or spotted and dark skinned, there’s just a skull underneath.

Editing Hurts

As someone who’s spent the most of her free time writing crap and reading about how to write, I can claim, with certain authority, that editing hurts. Not internal editing, mind. That’s an undeniable part of every writer. I mean the external editing. The proofreading. The extra pair of eyeballs that eye your writing. And it does not help that the extra eyeballs are so focussed on putting you off.

Because editing hurts.

It hurts to write a 200-word piece where you think and rethink each word, each phrase, every pause, and punctuation, just so that someone else (who knows nothing about the effort you’ve put in) comes up and sweeps away all your work down the drain.

Editing hurts.

I’ve spent my whole life fantasising. I want to publish my own novels. I want to write, and write what’s right for me. And for me, writing is personal. It’s my democracy. For me, by me. But not everyone thinks so. As long as I wrote pieces beginning with “Dear diary,” I could write anything without anyone’s interference. But once I moved out into the light, once I started craving the appreciation that good writing deserves, I came under the spotlight of editing. I had more balls than ever, eyeing my work. I had more colours in my page than I liked. My blogs started looking like an ethnic clothing brand, and my sentences had less of me and more of others.

My writing had improved like never before. But, editing hurts.

It hurts the writer in me who spent sleepless nights scrolling through quotes on Twitter that egged on writers with promises of isolation and unlimited caffeine. Writers are an elite, I learnt. And the internet became an endless stream of encouragement: “Writing is a lonely job,” “Writers write about depression, because they’re depressed themselves,” “Writers write it better than saying it.” It was a glimpse of a life we, as writers, should grow to expect. And I expected that. Until I was proven wrong.

Editing hurts.

So much so because editing is collaboration. Which contradicted everything the internet had fed me. It puts me in an awkward position where I had to “collaborate across borders,” come up with “out-of-the-box” phrases, and share documents “on-the-go.” I used to be a part of a group that revelled in veiling itself. And then, all of a sudden, I had to come out into the open and volunteer to vulnerability. Because — the greater good.

And that’s why editing hurts. It improves me, it improves my writing, and it gives me a clearer view of what I say. But it kills the elite. It destroys the isolation that I’m so used to.

And what does that mean to me, a self-writer? I publish refined content, which —like fast food— feels good, but is stripped of natural goodness.

But what does that mean to me? It makes me doubt my writing. I get lost without my editors. What if I make a mistake, or use the wrong punctuation? What if there’s an easier way to say something?

What if I get so scared of publishing bad writing, that I stop writing altogether? Just like in food, too much of refining makes you sick.

And that’s why I still rely on this blog to keep me sane.

 

Of Madness

Sylvia
Image courtesy: Pinterest

The heart yearns. To go places, to see things, and to delve in knowledge worth delving.

But sometimes, you can’t do more than you can. Sometimes you have to bow your head and accept: Life’s a game of cards, and you got the Joker. It’s all part of the larger truth.

And it will make you mad. You could either let it kill you, or let it motivate you to thrive through the madness.

And I choose the latter.

Couple Contrast

A chasm had formed,

Between their oak doors

A ripple had cleaved

The unwavering partnership

He was in his room —

She in hers.

He donned black.

She adored ivory.

His was blackberry —

Hers iPhone silver.

A contrast of sorts,

And a battle of wits—

The House of Cards