The Unseen Outside

A wide expanse of green
with speckles of yellowing leaves.

Rays of a retreating sun, drenching
flowers as tiny as mice.

Earthy smell of newborn grass, mingled
with browning trees and groaning barks.

Shadows of towering sand, held
together in mountainous form.

And trees that reach for the skies,
green glaring at the blue.

Twin birds that peep from their nest,
nestled deep inside bushes of branches.

Slimy little creepers, caterpillars
basking on long felled trees.

He shut the book with a snap,
regretting the time he’s done
so much in the world left to see
all beyond the cold steel bars.
It was now time to end his time
reframe and recharge his life
and he shed his cloak of shame
that had weighed him down too long
and smiled as he left the fed prison.

The Paradox of Life

“The situation in America, the most highly monetized society the world has ever known, is this: some of our needs are vastly overfulfilled while others go tragically unmet. We in the richest societies have too many calories even as we starve for beautiful, fresh food; we have overlarge houses but lack spaces that truly embody our individuality and connectedness; media surround us everywhere while we starve for authentic communication. We are offered entertainment every second of the day but lack the chance to play. In the ubiquitous realm of money, we hunger for all that is intimate, personal, and unique. We know more about the lives of Michael Jackson, Princess Diana, and Lindsay Lohan than we do about our own neighbors, with the result that we really don’t know anyone, and are barely known by anyone either.”

“The things we need the most are the things we have become most afraid of, such as adventure, intimacy, and authentic communication. We avert our eyes and stick to comfortable topics. . . . We are uncomfortable with intimacy and connection, which are among the greatest of our unmet needs today. To be truly seen and heard, to be truly known, is a deep human need. Our hunger for it is so omnipresent, so much a part of our experience of life, that we no more know what it is we are missing than a fish knows it is wet. We need way more intimacy than nearly anyone considers normal. Always hungry for it, we seek solace and sustenance in the closest available substitutes: television, shopping, pornography, conspicuous consumption — anything to ease the hurt, to feel connected, or to project an image by which we might be seen and known, or at least see and know ourselves.” – Source

I was stunned.

We live a paradoxical life without even realising it. That’s when I decided I should read this book. It’s out of my comfort zone; it’s non-fiction, it’s about money, and it’s called Sacred Economics.

Of the 23 chapters, I’ve stepped into the eighth, and it’s been great so far. There are dull parts of it, parts I cruise over without feeling the words, but there are also parts of the book that I linger, reread, inhale, and wonder in wonder. Not everyone would enjoy reading it, but everyone should understand the essence of it.

I’ve scratched just the surface of the book, but my view of our society’s monetary system has changed forever, already.

Understanding  Metamorphosis

I’m not sure what brought it up, but a colleague mentioned Franz Kafka wrote the saddest stories ever. A pathos fan myself, my interest was piqued. My colleague recommended and lent me the ebook version of Metamorphosis, a supposed stunner.

It was a small book, and I managed to tolerate reading it on a screen. I finished it last night and gave it a two-star rating on Goodreads. And then I scrolled through reviews to see what other readers had said thought about the book. I was stunned; a lot of people had given four or five stars, and words like “wonderful,” “amazing,” “deep,” and “emotional” jumped out at me.

I scratched my head. Huh?

Jack

It was as if they had read a different book altogether. I wondered if my copy had been just the preface, and if there was more to the tale than I had read.

I had expected dramatic change, something that would topple the lives of all the characters. I know all that did happen, still, it was too matter-of-fact, like.

It’s not that I didn’t like the story, but I didn’t see what the big deal was. It was well written, sure. It had an uncanny plot, yes. And an unconventional ending. But other than that, I didn’t feel the sadness ebbing from the words, I wasn’t moved to tears, my eyes didn’t burn, my nose didn’t stream, and my neck didn’t hurt from crouching.

It was a good story with a beautiful narrative. It wasn’t gripping or as sad as I had hoped. Nevertheless, the comments on Goodreads unsettles me. I feel almost inhuman not seeing what’s so intriguing about the book.

Have you read Metamorphosis? Pray tell, what did I miss?

Understanding Zen

I just finished reading, Zen and the Art of Motorcycle Maintenance. It’s an achievement, believe me. It took me almost 9 months to finish that book.

zen

And it wasn’t because I read many other books at the same time. No, while I read this book, I read no other. And it still took me 9 months. I should say, though, I was also studying for my exams and, for about three to four months, I didn’t even touch Zen.

Still, it’s a long time to read a five hundred+ page book. An international best seller, at that.

I read slow, but even I’m not that slow. After all, Harry Potter, the Inheritance series, and Chronicles of Narnia are all about the same size and I’ve sat through all night glued to those books. Why then did this book take so long?

It’s the writing for the most part. It was complex, it was all over the place, with two different narratives that just kept throwing me off the original message.

But there were so many good parts in the book that just jumped out at me. The best thing that came out of spending 9 months on one book is that it seemed like a lifetime. And the book is about a man’s discoveries over a lifetime. In hindsight, it feels like I’ve learnt so many different things, at different stages of my own life.

The book transcends from Pirsig’s life, into my own; my learnings, and my own understanding of how the world works.

Disclaimer, though: I don’t mean to sound all enlightened and zen-like. There are so many parts of the book that I read without taking in a thing.

But these blank parts of the book that I read three months ago, make sense to me now. What I though I understood while reading a paragraph is so different from when I understand after finishing the book.

And I’m counting on the same thing happening with other complex topics in the book.

And I’m sure when I read it the second time, I’ll see more things I didn’t see this time. Or, maybe, when I’m in the shower worrying about my hair fall, I’ll realise I should let the future be.

future

Why I Didn’t Read the Millennium Series

millenium

I started reading The Girl with the Dragon Tattoo, but I couldn’t even get past half of the book.

But the funny thing is that I hadn’t accepted it, until now. I tried giving it another try, again, and again. And again, and again I failed.

I just couldn’t get through it.

Perhaps it’s just me, I thought. But now, I’ve learnt to forgive myself; it’s the book. I just don’t like books like The Girl with the Dragon Tattoo.

I only tried it because of two reasons: One, my book-freak cousin recommended it. Every time she spoke about the book, her eyes would sparkle with dream-like awe. She had warned be about the dull start, but she also told me how awesome it would get after that.

I never got to the interesting part. I couldn’t tolerate it that long.

Second reason: The title. I do this a lot. I judge a book by the cover, but more so by the title. And ever so often, I’ve been wrong. But I still stick to my instincts.

It was an attractive title. A story about a girl with a dragon tattoo. I like dragons, tattoos, and girls who get tattoos. I drooled at the title.

For all the drooling I did, the book disappointed me. With my cousin’s word, I had expected too much of the book. Perhaps it was my fault to set unrealistic expectations. Still, the fact is, I don’t like topics that the book addresses.

Of course, I enjoyed Lisbeth Salander’s attitude and arrogance. Sure, I could relate to Blomkvist’s thirst for recognition, but I did not enjoy the plot moving all over the place.

I’m uncomfortable with simultaneous subplots and empty scenes. A lot of slow-moving incidents threw me off the main plot, and I couldn’t find my way back with the same enthusiasm as before.

And so, I stopped reading The Girl with the Dragon Tattoo. I wanted to like the book. Just like so many others. People kept saying how great the book was, tying it with the author’s sinister death.

I couldn’t see it, though. I couldn’t understand why it’s such a big deal. I tried, and I failed. And disappointed. I didn’t want to hate the book.

But shit happens.