The nectar of life
the secrets of botany
hidden in plain sight
— — —
The nectar of life
the secrets of botany
hidden in plain sight
— — —
Up above so high
lifeless concrete guarding lives
for the people, by
— — —
The best part of travelling to a new city is the discovery. You discover traditions, cultural qualms, and awe-striking moments that the inhabitants of the city take for granted.
New York City was like that for me. In addition to my Wall Street adventures and the breeze-kissing Staten Island Ferry ride, I also happen to walk, a lot, into nature while she was doing what she does best—being.
It was during one of those unexpected walks that I came across Strawberry Fields.
The moment I knew I’d be visiting NYC, I made a “where to go when” list. And I’d set aside the entirety of a Sunday to exploring the Central Park. I’d heard of it so many times, referenced in movies, TV series, and books, that I was itching to experience it for myself. But I had no idea about Strawberry Fields.

Walking around Central Park on a warm Sunday morning, I felt home. All around me tourists dropped jaws, clicked photos, and shopped for souvenirs while locals jogged on, unperturbed, uncaring. Letting my feet guide me to no place in particular, I headed ahead seeing green everywhere I turned.
And then I stopped at a board that read, Strawberry Fields. It had a mention of Yoko Ono, a vague message I couldn’t discern, but it urged me to enter anyway. A large triangular-shaped field met my eyes. I walked along the edge of it which, though covered in trees, still had a good view of the residential buildings that lay beyond.
Turning around, I noticed a clamour of people huddling around. It took me a while to spot the massive mosaic on the ground, around which they took turns photographing. The words I’d seen on the board at the entrance made sense now. This was John Lennon’s memorial, and Yoko Ono had something to do with its dedication to him.
Approaching the mosaic, I passed painters and small-scale vendors who sold John Lennon buttons and magnets. Engravings, quotes, photos, song names—it was more than enough to kindle nostalgia and tease passers-by to buy. When I approached the mosaic, I saw what attracted people so much: an engraving with a single word, Imagine.
Of course, it’s one of the first John Lennon songs I’d heard, and it’s still my favourite. A smile escaped my lips without my consent. For the first time in life, it didn’t bother me that I was part of a cult. It didn’t bother me that I, like the rest of the idiots around me, was a fan. Perhaps not as raving as they, but raving still in my own way. I watched as couples, groups, and kids came forward one after the other, taking turns to capture their moment with what’s left of John Lennon’s memory.
Travel, and nature, for me, isn’t just about going to places. It’s not about posing for photographs in front of aged memorials and historical monuments. Travel for me is about being in the moment. It’s about inhaling a fresh breath of history, of standing someplace reminiscing its story and sensing the elation that comes with knowing that I’d become part of that history. Knowing that everything we consider essential and grand in our lives is futile and will fade away just like the people and the stories of which I was hearing. Travel, in that aspect, teaches that nothing we cling to is permanent.
And with that thought, I turned away. I later learnt that the name Strawberry Fields comes after a song he wrote for The Beatles, Strawberry Fields Forever—which, in turn, was his dedication to a children’s home called Strawberry Field back in Liverpool, England near the house he grew up in.
As for the residential area I’d seen while walking around the edge of the field are the Dakota Apartments—where Lennon lived in his later years and where he was killed in 1980.
I didn’t know all these when I stood in the field but knowing it now magnifies my experience and adds a whole new layer of meaning to my trip.
Face world’s fakery
with a champion beside
enemy’s behind
— — —
Say Miami and people reply with, “Beach, please.”
Yes, from what I saw in my brief time in Miami, the city is all about its many beaches, suntans, margaritas, and coastal souvenirs.
But what if you don’t like all of the above?
That was me in Miami. A vegan in the seafood city. A park walker among shopaholics. The best thing about it, though, about being an outcast, is that you find places no one else talks about.
Like The Freedom Tower, for instance.
An art museum and the headquarters of a few departments of the Miami Dade College, the Freedom Tower was once the epicentre of Miami’s people.
When I first set eyes on the building, I knew nothing about it. My map informed me it was a museum, and curious to learn the city’s culture - and more so to avoid standing under the sun - I entered the intricate architectural marvel. I’d noticed from afar that it was a proper tower. Although smaller in diameter than the buildings I’d seen in New York City and Chicago, it’s just as tall.
Paying a rather hefty entrance fee of $12, I went it with a confused mind. Perhaps I over paid, I wondered. I worry about entrance fees where ever I go, not because of the price but because I hate leaving thinking I’d wasted it. The thought lingered as I accepted the brochures from staff, listening as they explained what I should expect to see before letting me explore.
Constructed in 1925, The Freedom Tower was the headquarters of The Miami News, which the publication vacated in 1957 as refugees from Cuba flocked the city and the government needed a place to process them.
As I stood there watching vintage photographs of the people who’d fled Fidel Castro’s regime to come to Miami instead, I felt an intense coldness replace the heat in my body. Children torn away from their parents, families shattered, lives disrupted, these people had come to the only place that’d take them. And there I was, half a century later, on the same spot that the early residents of Miami had bled and wept.
It was a powerful moment of realisation. Although the government sold the building to private buyers afterwards, it still stands as a haunting reminder of the city’s history. It’s no wonder that Spanish is such an integral part of Miami - airports, stores, street signs all had a Spanish version of their English text and messages.
Concluding that I hadn’t wasted my money at all, I moved on to other exhibits. Sure, I could’ve learnt the history and, perhaps, even seen the photos online. However, there’s a strange comfort about being in the presence of history.

The building’s design included the original but painters had to recreate it in 1988 to protect it from ruin.
This one showcased hundreds of artefacts and tools used by early settlers of Miami, including cultural representations from ancient civilisations, as well as paintings and statues of olden traditions like games, meditation behaviours, and social gatherings. Original copies of history books and writing samples, and even copies of Robinson Crusoe and Treasure Island.

This is an entire floor dedicated to social and technological advancements in the US. It was perhaps the most interesting and surprising part of my visit to The Freedom Tower. It showcases social developmental proposals from individuals and organisations. Some of them were just plans but some were in production.
Examples include, an urban housing plan for California, an upgraded city plan for Detroit, eco-friendly gear and cycles for farmers, waste management systems, abortion awareness campaigns, hydrology development plans for LA, and even a proposal to revamp windows in prisons to improve inmates’ morality.
These stunning proposals made me wonder how much the world is changing and how less we’re aware of it. New home designs, architecture plans, systems for police personnel protection, smart vehicles, all of which were a glimpse of our potential and the possible future. Humans are incredible, and the mind’s capabilities transcend the impossible.
If only we put that to good use, we’ll leave the world a far better place than we found it. Perhaps humanity isn’t lost after all. If only -